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From Idomeneo to Die Zauberflöte A Conductor's Commentary on the Operas of Wolfgang Amadeus Mozart
Myer Fredman
Myer Fredman studied at Dartington Hall and in London with Peter Gellhorn, Vilem Tausky, Sir Adrian Boult, and was Assistant conductor to Otto Klemperer, Sir John Pritchard and Sir Charles Mackerras. Among his many international musical engagements he was: Conductor at the Glyndebourne Festival, 1963–74; Initial Musical Director of Glyndebourne Touring Opera, 1968–74; Musical Director, State Opera of South Australia, 1974–80; Conductor and Artistic Associate with The Australian Opera, 1983–98. The Italian Government awarded Maestro Fredman a medal “Per Servizio della Musica e Cultura Italiana”. He has conducted premiere recordings of symphonies by Arnold Bax and Havergal Brian with the LPO as well as CDs of music by Britten and Delius.
“There is plenty that the professional musician can learn from Myer Fredman and many an interesting fact or comment which can be appreciated by layman and professional alike. It is a pleasure to welcome this excellent addition to the literature about these towering masterpieces.” From the Foreword by Sir Charles Mackerras
“Fredman's hands-on experience conducting the Mozart operas is reflected in many a passing titbit of professional wisdom or practical advice.” Opera Quarterly
This is the first book by an experienced conductor to explore the orchestra’s contribution to Mozart’s greatest operatic works: Idomeneo, Die Entführung aus dem Serail, Die Schauspieldirektor, Le nozze di Figaro, Don Giovanni, Così fan tutte, La clemenza di Tito, and Die Zauberflöte. It is written for the concert and opera going public who are interested in enlarging their knowledge and appreciation of these masterpieces, but also contains many practical suggestions for aspiring conductors.
